Success is a very dangerous thing and I think we have to be very careful about when we dictate what success is for somebody else. Because you don't know what it's like.

It's really about taking something inherently negative, and starting with the word loser, starting with something that's negative, and changing it into something that's positive, redefining it, but doing it in a certain way, how - like I would say when I look out at the world and you see it's dark and it's just overbearing and every day is depressed, depressed, depressed. What it took was to change my perspective a little bit. Not to change the world, to change my perspective.

Reggae, oh man. It's the ultimate music. The positivity. The musicality. The whole cultural expressionism of it. The danceability. Just the cool factor. The melody factor. Some of it comes from a religious place. If there were a competition of who makes the best religious music, it would definitely be the Rastafarian reggae.

My whole team, it wasn't about putting the album out, it was about getting off the record company and going independent or going to another label. To the point we were like, 'Listen, just take 'Lasers.' You can have whatever percentage off the next ten records I do for the rest of my life. I just do not want to be here anymore.'

You ain't got to change the whole world. You just alter it a little bit and you redefine it into something beautiful.

You know, my goal, once I leave the music business, is like, 'Man, Lupe didn't lead us astray.' It comes directly from Islam: leading people astray is the worst thing you could do. Especially in perpetuity; like, your music continues to go on and live without you. That risk is too great for me; I'm gonna keep it positive.

I trust people to be human. Sometimes you do things that make amazing amounts of sense; sometimes you do things that don't make any sense whatsoever.