The muscles you flex in theater are muscles that you really need. I must always find a way to get back there. It's irreplaceable.

I remember in my very first fitting, costume designer Patricia Norris gave me a garment with these intricate stitches - stitches over stitches, because it had been repaired so many times. Once I put it on, she told me that it belonged to an actual slave woman. My heart just stopped. Each one of the stitches had a story, you know. Just recognizing this period I was going to be dancing with was a "come to Jesus" moment.

Whoopi Goldberg looked like me, she had hair like mine, she was dark like me. I'd been starved for images of myself. I'd grown up watching a lot of American TV.

You win an Oscar, and immediately people ask how you feel. So you don't have time to actually feel anything because you have to generate a response. And then some of the feelings you have are so intimate and visceral, words don't really do them justice.

I feel a responsibility to myself and my parents and the people whose love has gotten me this far - people who were in my life before fame. That's where I get my sense of self. It's deadly for anyone to take on that role of a deity; it's not sustainable. I've got tons of flaws. Call my mother - she'll tell you! She keeps it real. Sometimes you don't want to hear the truth; she'll tell it to you out of love.

I come from a loving, supportive family, and my mother taught me that there are more valuable ways to achieve beauty than just through your external features. She was focused on compassion and respect, and those are the things that ended up translating to me as beauty. Beautiful people have many advantages, but so do friendly people.... I think beauty is an expression of love.

My immediate family was always very supportive. It was my own fear of the rest of the world not accepting me, the rest of our society not accepting my wish to be an actor.