We try to abolish intervals by our manic insistence on keeping busy, on doing something. And as a result, all we succeed in doing is destroying all hope of tranquility. ... . You have to learn to immerse yourself in the silences between.

Before sight and sound hijacked our attention, we shared with all life a sort of common sense, a chemical sense that depended on direct contact with matter in the water or the air.

The limits of sensory evolution in fish are defined very largely by their habitat. Water is physically supportive, carries some kinds of odour well, and is kind to sound - letting it travel several times faster than air will allow, but it inhibits other more personal kinds of communication.

We try to abolish intervals by our manic insistence on keeping busy, on doing something. And as a result, all we succeed in doing is destroying all hope of tranquility. ... . You have to learn to immerse yourself in the silences between.

Dancing is surely the most basic and relevant of all forms of expression. Nothing else can so effectively give outward form to an inner experience. Poetry and music exist in time. Painting and architecture are a part of space. But only the dance lives at once in both space and time. In it the creator and the thing created, the artist and the expression, are one. Each participates completely in the other. There could be no better metaphor for an understanding of the mechanics of the cosmos.

If elephants didn't exist, you couldn't invent one. They belong to a small group of living things so unlikely they challenge credulity and common sense.

It is a fascinating and provocative thought that a body of water deserves to be considered as an organism in its own right.