When I first started playing, I definitely had a younger scum-punk crowd, but as my music developed more and after I started playing electric guitar - you'd think it would be opposite - but a lot of people were like, "You've changed." And I have more of an older audience now.

When you move to the city, you really notice how ugly people can be. And that's something you don't really have to deal with in the country. So I do miss that.

I was just staying home and getting stoned and drinking. It was a pretty rough period. I think that's kind of the whole theme of Indestructible Machine, how when you have social anxiety, you can sort of convince yourself that you've gotten over it by drinking a bottle of whiskey, but once you sober up you're still terrified of everything. Hence you're treating your body like it will never die. I think I have gotten better, just from touring so much, but I still definitely have the skittish nature.

When I was in Coshocton as a kid, I was like, "God, I need more than this out of life." But now that I'm in the city, I'm like, "God, I'd love to just be able to run around naked and shoot a gun in my backyard again."

I guess it's pretty diverse, but I do have quite a 30-and-older male audience coming out to the shows. I don't know if that's due to me being a female or what.

There's always a handful of 40-year-old dudes. I don't know why that is exactly. I don't know if it's like my looks or the music or what, but I seem to just really appeal to that age group. A lot of people have said to me, "What's with all the old men?," and they laugh. But to me, those are my fans and I'm happy they exist.

My guitar player calls the process of writing lyrics based on another story, "filling up the well" when you can get inspiration from other people's art without stealing, more being influenced by it.