I think I'm this sort of perpetual outsider, I grew up most of my life in countries that were neither where I was born nor where either of my parents were from. I was part of a weird religion that nobody had heard of.

Ideology to me is fundamentally is an elite pursuit. I mean most people are just not all that interested in single payer vs. government pay ... they're very interested in you know, 'Wait, are there going to be death panels.' But that's all a creation of this like hothouse media and politics environment. So maybe if humanism is an ideology then it's ideological, but I don't see it as being on the traditional left/right spectrum.

The level of dependence on government among rural populations is actually extraordinary. They suffer even more when that assistance is taken away because they don't have access to the economic dynamism of cities. So if there are ways to tell stories that help people in rural areas see their kind of mutual need for care, that to me is the kind of thing that I want HuffPost to try and do.

I think all of us in the pursuit of more perfect version of the truth and the story need to reckon with what we bring to the story, and I think that I'm confronting that in a very real way everyday. I'm extremely proud of who I am and it's nice to see it celebrated, but if someone were to ask me to list in order the biography, you know journalist comes first.

I have this very kind of like heterodox idea of what an education is, what underpins identity. I don't think I'm very easily pigeon holed in any of those boxes, so I confront this. I have a staff full of young people who came up in a very different tradition and who feel very fired up about the big identity battles. I listen and I try to navigate them, but I don't find them mapping onto my life in a personal way which is, which is hard.

I think we need to reckon in a very serious way with the emotional content of news and the way that people perceive facts and their perception of their situation and to me I think the tabloid is like fundamentally an emotional form of journalism and that kind of emotional valence is what distinguishes it from the broad sheet.

I was educated in a deeply kind of un-politically-correct way. I went to St. John's College which is this kind of Great Books school which is equally popular with hardcore conservatives who want their kids to read the Great White Men canon and sort of free-thinking liberals like my parents.