To me we're living in this very profoundly non-idealogical time where the real divide is between people who have power and people who either don't have power or feel that they don't have power.

The level of dependence on government among rural populations is actually extraordinary. They suffer even more when that assistance is taken away because they don't have access to the economic dynamism of cities. So if there are ways to tell stories that help people in rural areas see their kind of mutual need for care, that to me is the kind of thing that I want HuffPost to try and do.

Anything that I'm doing I think I always come at it from an outsider perspective. The first like real front page story that I had for the Times was about how after decades of battles over public restrooms in New York City, effectively chain stores had become the public restroom of choice for New Yorkers, it's sort of a silly little thing, but coming as an outsider, I was like 'Oh this is actually really interesting.'

I don't even know what being left wing means anymore. I feel that the left/right spectrum has been so fundamentally scrambled primarily by the politics around globalization - and you saw it in Brexit, you saw it in the French election, you see it in our election, it's happening everywhere.

To me, that's the foundational fact of my identity is that I'm a journalist and so it's hard to imagine putting anything else first.

To me the sort of like, the ethos, if you will, of like tabloid is like Daily News in the 1970s. It's a news organization that thinks of its mission to speak directly to people who are kind of , the people who are sort of the foundation of the American workforce or were at one time. What I love about this conception of the tabloid is that actually everybody read it.

To me the tabloid sensibility, in the best sense of the word, and I think people as like tabloids have receded as a kind of force in media people have started to associate the word "tabloid" with like National Enquirer and stuff like that.