To me the sort of like, the ethos, if you will, of like tabloid is like Daily News in the 1970s. It's a news organization that thinks of its mission to speak directly to people who are kind of , the people who are sort of the foundation of the American workforce or were at one time. What I love about this conception of the tabloid is that actually everybody read it.

To me we're living in this very profoundly non-idealogical time where the real divide is between people who have power and people who either don't have power or feel that they don't have power.

I think everybody's talking about like facts and truth and you know like that 'We're here to fact check' and all of that, that's the base material of journalism. You cannot have journalism without facts and truth. But if facts and truth were what actually you know sort of moved people's lives and moved their decision-making like the election would have had a different outcome.

I don't even know what being left wing means anymore. I feel that the left/right spectrum has been so fundamentally scrambled primarily by the politics around globalization - and you saw it in Brexit, you saw it in the French election, you see it in our election, it's happening everywhere.

When I first signed up for a Twitter account - I was to say it was in 2007, people are going to think it's some weird self promotional thing or it's going, but in time I was called upon to like try to persuade other foreign correspondents and journalists to get on Twitter and see the usefulness of it which is kind of ironic. I think the journalists who are leading the digital charge at the Times have, all have that background as a foreign correspondent, which I think is not accidental.

I think, I just always carry this kind of happy sense of being able to come into any situation and know that I don't exactly fit in, but I can make a place for myself.

Ability to have that sort of feedback loop with your readers to me felt incredibly powerful.