I was repeatedly told that there isn't an African American woman who can open a show on Broadway. I said, 'Well, how do we know? How do we know if we don't do it?' I said, 'I think you're wrong.'

In the business of war, the role of women is really to maintain normalcy and ensure that there is cultural continuity.

I need a release from whatever I'm writing.

Just because it’s a unique perspective doesn’t mean it can’t offer something universal.

When you begin a play, you're going to have to spend a lot of time with those characters, so those characters are going to have to be rich enough that you want to take a very long journey with them. That's how I begin thinking about what I want to write about and who I want to write about.

I'm interested in the moments where the audience is restless. I'm interested in the moments where they lean in and become incredibly engaged: the laughter, the silence. All of that is part of how I think about shaping and rewriting the play.

Plays are getting smaller and smaller, not because playwrights minds are shrinking but because of the economics.