What really drives me mad about art is that, in America, the only thing you can do is to take it apart.

The mentality has taken over because of the way we've promoted things. It's been accepted, to live with fear, and to fear that it's going to be terrible, prepare for the worst. The meat and potato of our existence right now is influenced by what happened after 9/11 - we put our thinking into protecting borders.

Any piece of art, when you're putting it on a certain platform, if the platform becomes a political place, you can manipulate things.

In my head I actually think my songs are pop songs. I think, Damn, that's a pop song! I can practice in front of the mirror with my hairbrush for as long as I want to. But when it finally comes out, it sounds avant-garde to people. Right up until then, though, I think, "Of course everybody feels this way. This song's the same as the Greek national anthem."

You need everyone to get together and just believe in it, and lead by example that it is possible to be outside the system, and that's really super-f - king hard, and I'm sure there's some geniuses out there who can achieve it.

Nowadays, [young musicians] are so quick to be like, "OK, fine, I'll take the cheque, or I'll get the stamp from XYZ, and I'm expanding my brand," rather than thinking, "I'm part of this space over here, and in order for it to grow, you can't have it assimilated by this bigger bubble or corporate brand."

You have to have your fashion stylist person not sell out and sell your s - t to another pop star because they can pay them twice as much, and do it for the belief and the love of art.