In the beginning [of my career] I definitely felt a responsibility because I was representing a bunch of people [Sri lankans] who never got represented before. I felt this responsibility to correct that situation, to be like, "Look, you can't discriminate against refugees and Muslim people and blah, blah, blah . . ."
M.I.A.I get called "ISIS" now. Why don't we have a name-and-shame weapons dealership website? Instead, we're like, "Oh my God, are you really talking about the refugees again, making yourself into a caricature?" And it's like, "Until you stop the person in your country who's making billions of dollars from selling weapons, yeah, I have to talk about refugees." Whatever I say will get twisted or messed with.
M.I.A.I feel so terrible for the kids now. In London, even people in their forties can't afford to buy a house or have kids.
M.I.A.Now, [hip-hop/grime artists] Stormzy, Skepta, or the Section Boyz have to be validated by Drake, Rihanna or Beyoncรฉ. They're rolled into this one urban culture bubble; it's not really to do with, "I'm specifically f - ked off about my country and what's going on in my town." We're very much only showing success to artists who impress American artists, and I'm one of them.
M.I.A.With homogenized culture, even if you feel frustrated, you'd have to write a Taylor Swift song to get heard.
M.I.A.