In the beginning [of my career] I definitely felt a responsibility because I was representing a bunch of people [Sri lankans] who never got represented before. I felt this responsibility to correct that situation, to be like, "Look, you can't discriminate against refugees and Muslim people and blah, blah, blah . . ."
M.I.A.You have to have your fashion stylist person not sell out and sell your s - t to another pop star because they can pay them twice as much, and do it for the belief and the love of art.
M.I.A.I think when something becomes a comfortable genre, it's against what street art stood for in the beginning - breaking out of genres and taking art out of galleries. Now street art is in the gallery, and it's all made up into a nice, packaged concept.
M.I.A.I've documented a lot of things myself as a filmmaker. If you want a rockumentary, that's in there.
M.I.A.What really drives me mad about art is that, in America, the only thing you can do is to take it apart.
M.I.A.