My uncle was the first brown person to have a market stall on Petticoat Lane in the 1960s. He worked his way up from the street. He was homeless, but eventually he got a car so he could sell from the boot. And by the 1980s, he was a millionaire wholesaling to companies like Topshop. So in a way, fashion put me in England.

I don't have a community like a black community to belong to [with] a musical platform that's been built for years and years and years, or the film-making culture, and I don't have the white one to belong to.

I feel like a mirror reflecting back everyones perception of me.

Predominantly in the West, if you can only have creative voices that are either black or white, I'm going to say whatever the f - k I want, because no one's going before you, and if no one's coming after you, I'm just going to be the freakiest of all freaks!

My statements aren't incomplete, they're just in-progress. It's a debate and a discussion.

My experience has to be funnelled through a black experience or a white experience, or it doesn't exist, because that's how we're going to deal with the world.

We know that those huge U.S. brands do have political sway.