My philosophy is to make movies with the biggest possible budget that will allow it to be made in an independent fashion.

The beauty is that we can blur film and TV a little bit more.

The muscles that writers need for film are very different from TV muscles. Now, when I hire the writers and put the writers' room together, I know where their muscles need to be.

A TV show where all of the characters are trying to figure out what's going on, and the suspense of that, fits my [voice] really well. You feel their frustration, anger and fear, and then, when the reveal happens, their sense of dread or horror, or whatever it is, and I like to paint with those colors.

I storyboard every shot of my thrillers in general. I draw them out and do them.

I'm from that world where I feel so comfortable making small independent movies.

The whole world makes comic book movies now.