I love the sound of Elmore James, the sound early guitarists like him got just by using minimal means.

If I'm writing... even a piece of a song... I write it down. If it still resonates six months down the line, a year, even five, those are the ones you put in your bag and you take to the studio. You come to realize, the ones that don't make it, they were only meant to live for that moment in your notebook or on the 4-track-and plenty of songs never get any farther than the 4-track.

I don't really watch TV series because I don't want to get hooked on them and have them suck up all my time.

I don't like the way recording to digital sounds.

It might be a meaningless moment, but those sparks that ignite the song.... It's mystical maybe, those magic moments. And to make music for a living, to perform these songs over and over, you have to safeguard those sparks. If you can do that, they'll last a lot longer.

I definitely don't see myself as much of a singer, because my upbringing is really based around the guitar, learning chord progressions and that sort of thing. So the singing aspect of what I do has been a secondary adventure.

The production process has a great way of bringing songs to light and that's a big part of it.