The way that I'm working now is basically the way I've been working since I was a kid: Find the greatest artist in whatever you do, and rip them off with respect. I think there's a big difference between ripping off with respect and ripping off in disrespect.

It's a hard thing to explain, but the more I arrange for strings, the more I realize the possibilities.

It's a luxury to not have to just be performing with other people to have my music heard.

My philosophy for producing a record is for everyone involved, including myself, to get out of the way of the song, and at the same time, listen to it as closely as you can, and listen to where the song wants to go.

My favorite recordings are the ones that feel like there were no middlemen in the creation. That's the biggest problem with most films and records being made today - too many people involved. I think it dilutes the artist's intent and inspiration.

My grandparents are from Mexico, so I grew up with great Mexican food.

I learned a long time ago that fame and money is not a ticket to happiness.