I feel really comfortable when the camera is rolling. I feel less comfortable in the moments before and after, like, "Okay, where do I sit now?" I find the social aspect of being on a project ... it's just a lot. There are so many new people, and it's a lot of introducing the most charming, most engaging, funniest version of yourself to, essentially, a bunch of strangers you already know too many details about.

I went to Europe and, as I've been told, ate my way out of a career.

How you choose to present yourself to the world shows what's meaningful to you - and what you want others to think is meaningful to you.

I think there are times when you're jamming with the universe, and other times when it feels like no matter how hard I work, no matter how good a person I am, I will always be punished for being mediocre.

'Breathe In' was such a big deal for me. It was my first anything. Before that, I was going through 'Backstage Magazine' and applying for student films.

I wanted to be Beetlejuice. I watched nonstop 'Beetlejuice' and 'The Princess Bride' growing up.

I have taxidermy pets that are very close to me. I have a little lizard with a head that comes on and off that I call Nicolas Cage because his face is long. And I have a big diamondback rattlesnake called Rufus, and I have some rats in jars and stuff.