I'm not a runner, and I always dreamed about just throwing on my sneakers and really knocking everyone's socks off with my joy of traversing the world by foot.

Feminism is rooted in racial rights and gender rights, and all of those things intersect, and to say that that's not something you can stand behind - it confuses me. I think it's a really great word.

I feel really comfortable when the camera is rolling. I feel less comfortable in the moments before and after, like, "Okay, where do I sit now?" I find the social aspect of being on a project ... it's just a lot. There are so many new people, and it's a lot of introducing the most charming, most engaging, funniest version of yourself to, essentially, a bunch of strangers you already know too many details about.

I just like the insides of things and finding ways into microscopic worlds. There's also an element of control, taking things apart and putting them back together. It's a very tedious task. You can be alone and create a world for yourself.

You can make a beautiful, airtight world that's fascinating to look at, but it's not interesting unless you have a character that's trying to achieve something under the circumstances of that world. It's harder to play a wacky girlfriend whose journey you just don't understand.

The first two or three movies I did, I'd be around famous co-stars and totally pretend like I didn't care, but inside, I was shaking. I've been weaning myself off that.

I have taxidermy pets that are very close to me. I have a little lizard with a head that comes on and off that I call Nicolas Cage because his face is long. And I have a big diamondback rattlesnake called Rufus, and I have some rats in jars and stuff.