'Breathe In' was such a big deal for me. It was my first anything. Before that, I was going through 'Backstage Magazine' and applying for student films.

I went to theater school, and if I spent time with one school of thought in this whole acting game, it's the Meisner approach of improvise-based acting. This does not mean that you improvise your acting, but that you focus on the other person.

I just think 'Broad City' - Comedy Central's answer to 'Girls' - is the best thing that's been put on television in years. It's amazing.

I just like the insides of things and finding ways into microscopic worlds. There's also an element of control, taking things apart and putting them back together. It's a very tedious task. You can be alone and create a world for yourself.

I feel really comfortable when the camera is rolling. I feel less comfortable in the moments before and after, like, "Okay, where do I sit now?" I find the social aspect of being on a project ... it's just a lot. There are so many new people, and it's a lot of introducing the most charming, most engaging, funniest version of yourself to, essentially, a bunch of strangers you already know too many details about.

You can make a beautiful, airtight world that's fascinating to look at, but it's not interesting unless you have a character that's trying to achieve something under the circumstances of that world. It's harder to play a wacky girlfriend whose journey you just don't understand.

I think Julianne Moore is the most radiantly beautiful human being and isn't messing with nature too much. She seems like a woman who treats her body like a temple. I cannot relate to that!