Second records aren't usually very good. Even Bob Dylan's was a bit disappointing.

It's wonderful to work with someone with mentor status.

I think I was probably an early teenager when I discovered Bessie Smith, Ma Rainey and a bunch of people that are on a long list of artists. They were important to me, especially as an early adolescent.

My parents were older than normal when they had me, and had been very into the politics of the 1960s, so I was brought up in that atmosphere.

I was very lucky. Things happened, both bad and good, but I never got into real, deep trouble. But it wore me down. By the time I was 18, I was done. I didn't want to live the life any more. I needed to develop past the point that busking takes you to.

I love playing to people and seeing them react.

I'm very conscious of developing my singing, technically and stylistically. I want it to become more individual, express more of me. That's my goal. These songs are steps along that way.