II know a little about Greek mythology. It's not that far away from the Nordic mythology.

I'm one of the actors who really enjoys working with kids and animals, which is always a no go. There's something beautiful about it because you tend to forget yourself, as an actor.

I'd rather be voted "the sexiest man in Denmark" than "the ugliest man in Denmark".

I do read some of the scripts from America and, even though the themes or subject of the film is very interesting, and some of the scenes are very interesting, there is a tendency that they have to explain everything. There will be no dilemma. This guy was evil, and this girl was very sweet. And in the end, we'd have to see eight endings because we'd also have to know what happened to the uncle. It's like, "Are you kidding me?!"

I have a three-piece suit. I’m an art collector. I have a funny accent. So I’m probably the killer.

I think it would be pretty cool if my kids were super kids.

The criteria [to take or refuse the role] is that I would love to have some kind of dialogue or communication with the director. I need to understand that we can communicate and that we like communication. That's something I have to have a strong feeling about. Secondly, I have to find the script intriguing or interesting. I don't have to understand the whole script, but I do have to find it intriguing. If those two things are present, that would probably be a yes.