I remember [in teenage years] thinking there were a lot of check boxes out there to sort teens into appropriate molds, and they didn't seem to make check boxes for whatever it was that I had grown up into. I definitely explore that a lot in my novels.

Cole kissed me.. It was the sort of kiss that would take a long time to recover from. You could take each of our kisses, from the very first moment we'd met and put them on a slide in a microscope, and I was pretty sure what you'd find. Even an expert would see nothing on the first one, and then on the next one, the start of something - mostly outnumbered, easily destroyed - and then more and more until finally this one, something that even the untrained eye could spot. Evidence that we'd probably never be cured of each other, but we might be able to keep it from killing us.

It's all you think about, all you talk about, and all you want us to talk about. What in the world would we call something like that? Oh, yeah! An obsession!

The biggest mistake you can make is assuming that creativity will hit you all at once and the muse will carry you to the end of the book on feather wings while Foster the People plays gently in the background. Storytelling is work. Pleasurable work, usually, but it is work.

It was about falling asleep with Sam's chest pressed against my back so I could feel his heart slow to match mine. It was about growing up and realizing that the feel of his arms around me, the smell of him when he was sleeping, the sound of his breathing -- that was home and everything I wanted at the end of the day. It wasn't the same as being with him and we were awake.

Now I am the unknown, the unknowable.

I thought you said scrying was a bad idea.” “It's like vodka,” Calla said. “It really depends on who's doing it.