My dad moved to New York after he won "Soul Train" and the car and got settled in out there and was able to step right into Dance Theatre of Harlem and felt like he was in a show called "Omnibus" and "American Dance Machine."

How do I transform and be believable as Krogstad in "A Doll's House" or Sir Peter Teazle in "A School for Scandal".

My dad moved to New York after he won "Soul Train" and the car and got settled in out there and was able to step right into Dance Theatre of Harlem and felt like he was in a show called "Omnibus" and "American Dance Machine."

I had read some books on the Baha'i Faith. I had read - I was looking into Buddhism and trying to understand sort of the agnostic approach, so there was just a bunch of stuff I was just looking at.

Having a child is the polar opposite experience of the awards season experience. The awards-season experience requires you to be out in the community, in the heart of the community, at the nucleus of the film community in a really committed way for about a six-month period of time. Having a child requires you to nest, to be in your home, and to create and make your home and environment that is one that is potentially very welcoming and nurturing for a child.

My connection to music is so strong. I cling to it. I vibe out to it. I release stress to it. Music is really always close to me. It's really present in my work in terms of how I relate to characters is through rhythm and sound, even in their speech.

In my time at St. Mary's College, drifting out of sports because it was something that began to feel really finite. And I could see that I didn't have the passion to sustain a career in sports.