I'd love to do radio plays. I think that one should be open to everything and shouldn't limit oneself. I particularly love theater, but with my family situation, it's much harder for me to do that now. I just love a challenge, and always have, and will do anything to make it interesting. I'll try anything, really, as long as it's a challenge and you can have some fun doing it. I think, honestly, having fun and keeping it fairly light are the key elements.

I'd love to do radio plays. I think that one should be open to everything and shouldn't limit oneself. I particularly love theater, but with my family situation, it's much harder for me to do that now. I just love a challenge, and always have, and will do anything to make it interesting. I'll try anything, really, as long as it's a challenge and you can have some fun doing it. I think, honestly, having fun and keeping it fairly light are the key elements.

I never feel I repeat myself. I really go out of my way to amuse myself. I would be bored stiff. If I feel the déjavu when I'm doing something, I stop and rethink and rework it.

Different directors offer you different things, and it's not necessarily the most obvious things.

I'm very pragmatic in that I know there are very few greats in anything. I got lucky just to have gotten two of the real great filmmakers very early on. Better to have had them than to not have had them. I've been really fortunate. That's the key relationship on a movie: the director and the actor. Of course, you can't compare the experiences. When you're in your early 20s, you're a very different person. It was a very exciting time, and my whole world was changing. Now I'm looking back, and hoping I can still offer something. Still do good work.

The great thing about Burgess's work is the dichotomy of making the hero or anti-hero an immoral man. And that's what makes it interesting. Because, you know, you are sucked into kind of like this guy.

An actor cannot be a censor. I'm there to interpret.