In Afghanistan I was doing street art because it was more open, but when I had a show, only men would come. I said, I'm an artist not only for men, but for women too. So that's why I like graffiti.

Afghans think the burqa is a permanent part of culture. But, if you bring it to Europe, how would people react? Afghanistan doesn't want to change its culture, but it can change, all the time. So why are Afghans giving so much value to it? The burqa is not natural. It's not human nature.

When I came back from Pakistan, I wanted to take computer classes nearby. I asked my brother. I was in my home, cooking for my family, and all our relatives and guests. But I said, "I want to live my life as a woman, but I want to study." But, he told me, "Just study at home, you don't need to go out." He said, "If you go to the courses, what will our relatives say? They will lose respect for us." They told me, "We know you're feeling different, but we cannot do anything about it."

For those 10 months back in Afghanistan after university, I felt I had no rights. It felt like I didn't exist. It was like I was their doll, and I was lost, somehow. My sister's husband brought me to an art gallery. It had a big effect on me.

If a woman is wearing the burqa, it's not her wish. It's more that she feels secure from the Taliban, secure from acid if she were to show her face.

The burqa is a way of controlling the woman, but in the name of respect. Every culture or religion gives a different name for the burqa. It is honor, or culture, or religion. Really, it just controls the woman and keeps her inside.

All the work I did was to challenge politics, culture, and women's rights. I felt like I really wanted to break out. That's why I wanted to use graffiti. It's more open. I don't need people to come to an exhibition. Graffiti gives a voice to the walls.