There are two ways. One is to be a puppet, follow the culture, and do whatever they want. That was mentally disturbing to me, and still is. And the other way is to go out. I knew there would be problems from my family, and also from my environment. But I thought that physical pain would be better than the mental pain. And I started working as an artist.

Afghans think the burqa is a permanent part of culture. But, if you bring it to Europe, how would people react? Afghanistan doesn't want to change its culture, but it can change, all the time. So why are Afghans giving so much value to it? The burqa is not natural. It's not human nature.

There are two ways. One is to be a puppet, follow the culture, and do whatever they want. That was mentally disturbing to me, and still is. And the other way is to go out. I knew there would be problems from my family, and also from my environment. But I thought that physical pain would be better than the mental pain. And I started working as an artist.

All the work I did was to challenge politics, culture, and women's rights. I felt like I really wanted to break out. That's why I wanted to use graffiti. It's more open. I don't need people to come to an exhibition. Graffiti gives a voice to the walls.

If a woman is wearing the burqa, it's not her wish. It's more that she feels secure from the Taliban, secure from acid if she were to show her face.

If people say harsh words to me though, I don't care. It's a risk to my life. The Taliban don't want us to be working, so they'll shoot us. And women who break their rules, they put acid on them. I said, if they shoot me, OK, but if they put acid on me, I will be alive as a dead body. I was always so afraid of that.

For those 10 months back in Afghanistan after university, I felt I had no rights. It felt like I didn't exist. It was like I was their doll, and I was lost, somehow. My sister's husband brought me to an art gallery. It had a big effect on me.