There are two ways. One is to be a puppet, follow the culture, and do whatever they want. That was mentally disturbing to me, and still is. And the other way is to go out. I knew there would be problems from my family, and also from my environment. But I thought that physical pain would be better than the mental pain. And I started working as an artist.

In Afghanistan I was doing street art because it was more open, but when I had a show, only men would come. I said, I'm an artist not only for men, but for women too. So that's why I like graffiti.

For those 10 months back in Afghanistan after university, I felt I had no rights. It felt like I didn't exist. It was like I was their doll, and I was lost, somehow. My sister's husband brought me to an art gallery. It had a big effect on me.

If a woman is wearing the burqa, it's not her wish. It's more that she feels secure from the Taliban, secure from acid if she were to show her face.

When I was 12 my brother told me I had to wear the burqa, but I really wanted to play, because I was a child. It's an age you want to play outside and have a good time. And they told me I had to wear it or I couldn't leave the home. I felt it was controlling me, because when I wore it I felt I wasn't a child anymore.

All the work I did was to challenge politics, culture, and women's rights. I felt like I really wanted to break out. That's why I wanted to use graffiti. It's more open. I don't need people to come to an exhibition. Graffiti gives a voice to the walls.

I have always used the burqa because men are using the burqa in the name of culture and religion to take freedom from women. Women are alive, they have their own wishes and desires, but all the time they have to sacrifice that. They are a kind of skeleton, which doesn't have muscles. They're just breathing, like a kind of puppet that barely exists. If women spoke for their rights, they were beaten by their husbands. So they don't have a voice. They lose their voices and their wishes and their happiness.