People who are open about their own faults, especially, often want to ferret out "inner feelings" beneath the surface and expose any falsehood, and they think that it's in their inner feelings that the truth lies. But I don't think that's the truth.

I really am grateful to have so many people watch, and to be given the chance to create my next projects. I want to once again tackle the boundless possibilities of animated movies, and I hope to be able to create something that will leave both children and adults thinking that this world is a sparkling, brightly shining place.

One may not be able to fulfill a fatherly role with one's own child, but on the other hand, and this goes for me as well, one might still be a "father of choice" to someone else out there in the world. Fatherhood is something that can be shared worldwide. Meaning that in terms of the substance of a father's role, perhaps we are all pseudo-fathers.

We are on the verge of losing the traditional idea of the family, especially in Japan, where the declining birth rate shows no signs of stopping. This is precisely why I think we should consider with a sense of urgency what the new image of "family" should be like, and not fall into the nostalgism that days gone by were just better.

People who are open about their own faults, especially, often want to ferret out "inner feelings" beneath the surface and expose any falsehood, and they think that it's in their inner feelings that the truth lies. But I don't think that's the truth.

With the assumption that animation is a medium for children, I want to make movies that reaffirm the future, and let them know that this world is a world worth living in.

As far as CGI and hand-drawn animation, I consider them both nothing more than tools for drawing pictures, the same as crayons or oils. Which is why, to me, the most important thing is what it is you are drawing, and in the themes that I depict, I think hand-drawing is the most effective.