The process of producing a project is one long string of delight and anxiety, but I think the real thrill of animation would have to be drawing the pictures.

I think of movies as depicting moments of change. Change is growth, and that change also possesses the same dynamism that movies do.

People have two sides, and a person first becomes appealing when you discover both of those sides - and worlds work exactly the same way.

I do not draw any of the pictures for my movies as an animator. The reason for that is that I am terribly lucky to have many staff members who I look up to, and who are overflowing with talent, that work with me on each project.

I really am grateful to have so many people watch, and to be given the chance to create my next projects. I want to once again tackle the boundless possibilities of animated movies, and I hope to be able to create something that will leave both children and adults thinking that this world is a sparkling, brightly shining place.

As far as CGI and hand-drawn animation, I consider them both nothing more than tools for drawing pictures, the same as crayons or oils. Which is why, to me, the most important thing is what it is you are drawing, and in the themes that I depict, I think hand-drawing is the most effective.

I want to take themes that are shared throughout the world, express them through animation, and make movies from them.