I want to take themes that are shared throughout the world, express them through animation, and make movies from them.

We are on the verge of losing the traditional idea of the family, especially in Japan, where the declining birth rate shows no signs of stopping. This is precisely why I think we should consider with a sense of urgency what the new image of "family" should be like, and not fall into the nostalgism that days gone by were just better.

People have two sides, and a person first becomes appealing when you discover both of those sides - and worlds work exactly the same way.

I think of movies as depicting moments of change. Change is growth, and that change also possesses the same dynamism that movies do.

I was deliberately trying to express how possible it might be for unmarried men and adults not blessed with biological children to become "fathers of choice." In an old-fashioned, traditional world, this might not matter. But I think that it's probably going to become terribly relevant as time goes on.

As far as CGI and hand-drawn animation, I consider them both nothing more than tools for drawing pictures, the same as crayons or oils. Which is why, to me, the most important thing is what it is you are drawing, and in the themes that I depict, I think hand-drawing is the most effective.

People who are open about their own faults, especially, often want to ferret out "inner feelings" beneath the surface and expose any falsehood, and they think that it's in their inner feelings that the truth lies. But I don't think that's the truth.