I always think about the simplest things in a relationship that have frustrated me. It always sort of comes down to communication. Even something as simple as probably the worst thing that could happen is, 'Where do you want to go to dinner?' 'I dunno. Where do you want to go to dinner?' 'I dunno.' That might be the worst thing in the world.

It's weird to have to jump in to being married with somebody, but it was really easy.

Those situations are weird. You're in a room, and I knew they already loved this guy [for the role], so you're like, "OK, this is a different dynamic."

I was happy to kind of always scoot under the radar.

I write a lot on airplanes actually because it's completely isolating; there's no one to talk to, there's nothing to do. And then I think a lot of it sort of comes out sitting down with the people I'm co-writing with and talking to them about what I'm going through and what I want to say. It just sort of happens; every song came about in a completely different yet organic way.

It's important to get well-rounded right off the bat. A lot of experienced dancers can get pigeonholed into one thing. I've been hired for a lot of different gigs simply because I can do a lot of different things with different levels of dancers. And it's sad to me that some dancers don't do more.

Growing up in the public eye was really tough. When you're 14 and your body is changing, your life is changing, and people are watching every step you make, it's really hard to deal with. But I was pretty lucky, people didn't watch me that closely.