Most people look at a feature film and say, "It's just a movie." For me there is no border or wall between fiction and documentary filmmaking. In documentaries, you have to deal with real people and their real feelings - you are working with real laughter, happiness, sadness. To try to reflect the reality is not the same as reality itself. That's why I think that making a good documentary is much harder than making a good feature film.

Documentary has been a way for me to establish myself as a filmmaker. It's my way of proving that I have a language, that I can say something through film.

After school, I went to Damascus to study law and history, which I didn't really like. I didn't like history, in particular. In Syria, the regime was trying to present to us a distorted version of the past. Assad was shown as the father of history. So I decided to shift to film, which was something I had always loved as a teenager.

If my friends are going to the mountains with guns to fight, I will continue that fight, not with guns but with a camera.

The problem of ISIS is not recent. Ever since the Second World War, people in this region have been, and are today, living under brutal dictatorships governed by nationalistic fervor. As for the Kurdish question: nobody from the Arab world is serious about fighting ISIS. It's only the Kurdish people who are standing firm against ISIS. And I think Europe, the United States, and most other democratic countries of the world are beginning to look at the Kurds in another way. The Kurds are really becoming their partners in the region.

I am not saying that the Kurds are angels, but they have suffered too much. These people have a right to live in their country. The right just to be where they are, in freedom. And now the world has started believing in this. Kurdistan is coming. In some five years, I hope, we will have a flag in New York, hanging with all the other flags.

Most people look at a feature film and say, "It's just a movie." For me there is no border or wall between fiction and documentary filmmaking. In documentaries, you have to deal with real people and their real feelings - you are working with real laughter, happiness, sadness. To try to reflect the reality is not the same as reality itself. That's why I think that making a good documentary is much harder than making a good feature film.