Men tell me that I've saved their marriages. It costs them a fortune in shoes, but it's cheaper than a divorce. So I'm still useful, you see.

I like the new shoe designers. Not all of them - there are really bad ones too. But I go to the colleges with these kids for lectures, as an honorary professor or whatever, and this Chinese girl I like very much who I give the award to says to me, "You don't know how much you inspired me to do shoes." And I'm glad that I convey that kind of desire to people when they see my bloody shoes.

The greatest luxury is being free.

David Lynch is démodé now, if you look at his films. I looked at them the other weekend.

I hate these platforms that are all over the place today; they are all about grabbing attention. They are suburban! I never do a platform. Well, I did, in the 1970s, but that was a bad experience.

I watched L'eclisse [1962] with Alain Delon and Monica Vitti. Changed my world. What a glamorous and modern film. This is what a genius is - the thing of a genius. The dresses, the tiny heels, the Cardin look, the boys dressed up as Italian gigolos - it was divine, very modern. [Michelangelo] Antonioni, I loved and I realized: how modern.

Trends don't interest me.