Paris is paramount for fashion, always was - always will be.

I'm a great observer of delicate situations and women. I really like that bygone type of movement, and for a long time I had been looking for it.

You get two weeks after you do a shoe where you can test whether it's good or not - if you're going to like it in 20 years. Then I know that it's going to be my shoe for a long time. That doesn't happen very often, but it happens.

I never wanted to be the most famous, the most beautiful, the most extravagant.

Shoes are the quickest way for women to achieve instant metamorphosis.

I only saw one collection of Victoria Beckham, and I thought it was very much like Pierre Cardin or Marcel Rochas dresses. She's thought about it, and she knows what she wants. And people buy it, so that means she works. She has this incredible will power to do something that she likes to do. And I love that. I respect that.

I watched L'eclisse [1962] with Alain Delon and Monica Vitti. Changed my world. What a glamorous and modern film. This is what a genius is - the thing of a genius. The dresses, the tiny heels, the Cardin look, the boys dressed up as Italian gigolos - it was divine, very modern. [Michelangelo] Antonioni, I loved and I realized: how modern.