I'm a doodler. It was my first job as a boy, and I still do it. At night I keep a block of paper and a pencil with a huge piece of string next to me. When I have an idea, I grab the string and just doodle.

I didn't need it [formal training], because I've got the best taste in the world.

Men tell me that I've saved their marriages. It costs them a fortune in shoes, but it's cheaper than a divorce. So I'm still useful, you see.

I get more tired by travelling than anything.

You get two weeks after you do a shoe where you can test whether it's good or not - if you're going to like it in 20 years. Then I know that it's going to be my shoe for a long time. That doesn't happen very often, but it happens.

I was a young man, and this is the kind of London it was, but so many people are just not here anymore. Not even Tina [Chow], who was to me absolutely the most important girl of the time. Tina was absolutely the chicest thing, the way she kept herself, the way she moved. You're born like that - you cannot acquire it. All those upper-class girls, people like Catherine Tennant, they used to be there in Chelsea, sitting on the couch. Now Chelsea is full of Russians.

I'm totally twisted. Instead of, "Oh god, I don't have platforms - they won't like me," I was much more, "I'm doing what I'm doing, and if you don't want to buy it, then don't buy, but that's just what I'm gonna do." It gave me strength. It worked for me.