I can work in films as long as the story doesn't have a realistic nature. If I'm working with an allegory, a fantasy, it can be developed in synthetic terms.

I do believe that reading can help you understand what you're writing and see what others are doing. But sometimes the desire for more information can act as an inhibitor.

I believe realism is nothing but an analysis of reality. Film scripts have a synthetical constitution.

The translator's task is to create, in his or her own language, the same tensions appearing in the original. That's hard!

Being a man (male "macho") does not give you right to anything.

Modern American cinema seems to me superficial. The intention is to understand a certain reality, and the result is nothing but a photographing of that reality.

If it's great stuff, the people who consume it are nourished. It's a positive force.