It's my own personal unconscious that ultimately creates the novel's aesthetic facade.

I don't have traceable literary models because I haven't had great literary influences in my life.

If a spectator with a philosophical mind, somebody accustomed to reading books, gets the same kind of information in a movie, he might not fully understand it.

Book reviews have never helped me. Most of them erred in their interpretations and their work has been a waste of time.

Whenever I write, I'm always thinking of the reader.

Most of the movies I saw growing up were viewed as totally disposable, fine for quick consumption, but they have survived 50 years and are still growing.

For someone who writes fiction, in order to activate the imagination and the unconscious, it's essential to be free.