I locate that special problem in a character and then try to understand it. That's the genesis of all my work.

My stories are very somber, so I think I need the comic ingredient. Besides, life has so much humor.

Being a man (male "macho") does not give you right to anything.

Contrary to what Kafka does, I always like to refer all of my fictions to the level of reality, He, on the other hand, leaves them at an imaginary level.

In film, you can't go into analytical explorations because the audience will reject that.

I am very interested in what has been called bad taste. I believe the fear of displaying a soi-disant bad taste stops us from venturing into special cultural zones.

What better model of a synthesis than a nocturnal dream? Dreams simplify, don't they?