I always try to stay objective, and to remove myself from the process and look at the film again.

Some of the greatest directors never got an Oscar, like Kubrick, or Hitchcock. For me, personally, I think the body of work is more important than winning an Oscar.

Contrastingly to the new model of distribution, we shot Hand of God using the traditional format of film. I myself use very few apps and tend not to engage in social media. I do use Instagram under my production company's name, but that's it.

I always think it's interesting to switch genres, because if I read a script and I know exactly how to manifest a story, I don't really want to do it anymore, because I've already done it in my head. It becomes less interesting. If I read something that's challenging, I get really passionate and usually fall in love with it, because I feel I need to do it. I need to tell the story; I need to find a way to make it happen.

The key thing is that you start every film from sort of a blank page, almost like you discover it like a child discovers a new world.

I thought it would be easy to cast a Bond girl, because there are so many beautiful women in this world. But not many of them can act. Their acting needed to be really strong and three-dimensional. Historically, the role of women in the world has changed. You can't have someone in a Bond film just as a sex object.

You do a lot of press, but getting to talk and discuss movies with your peers is the best and most fulfilling part.