But I'm blessed to work with great people. I collaborate with brilliant stylists both here and in Paris. I work with a great design team. I really allow everyone to bring their ideas. I almost rely on them to inspire me.

I love to design for women, it's really open and very free. I always think of my friends. I think of both fictitious characters, real people from the past and the present. I am not a woman, but I find women so beautiful and so fascinating.

It's so weird how scary it is at the beginning of rehab, and then you bond with the people, and it's really an amazing experience. It is impossible to do it on your own, and it's good to ask for help when we need it.

I'm useless at staring at a piece of white paper. But if you put a piece of white paper with a black line on it in front of me, I'll say no that black line should be red and it should go this way or that way.

Whether it's an $11 flip-flop or a $2 key ring or a $2,000 dress, they're all done with integrity. They're all done with a design sense. As long as the creativity exists, then I don't think it's a sellout. A sellout is putting your name on any piece of crap and then expecting people to buy it because it's got your name on it.

It's the things that aren't accepted as conventionally beautiful that I find more attractive.

My grandmother was amazing. She completely believed in me and was very encouraging. She would go to the supermarket or the butcher or wherever and tell people, 'My grandson is going to be the next Calvin Klein.'