The thing I most love and hate about fashion is that it changes all the time. But I don't think I or anyone else can singlehandedly get rid of hooker style. Popular taste isn't great by definition. It's just popular.

I always find it kind of embarrassing, kind of funny, and kind of exciting. In New York I'm recognized a lot, although nobody says anything. You know, they stare at you just a second too long. But in Paris it's not as commonplace to be recognized.

I'm not good at hiding my feelings. I'm also not good at lying. I'm very open about everything.

Whether it's an $11 flip-flop or a $2 key ring or a $2,000 dress, they're all done with integrity. They're all done with a design sense. As long as the creativity exists, then I don't think it's a sellout. A sellout is putting your name on any piece of crap and then expecting people to buy it because it's got your name on it.

My mind absorbs things in a funny way. I'm on planes quite a bit and I always take stacks and stacks of magazines and I go through them and tear pages out and fold them up, and they get stuck at the bottom of my backpack or whatever.

But I'm blessed to work with great people. I collaborate with brilliant stylists both here and in Paris. I work with a great design team. I really allow everyone to bring their ideas. I almost rely on them to inspire me.

I always say that I'm not the director, I'm part of the team.