Everything that seems imperishable tends to extinguishment.

The bonds that unite another person to our self exist only in our mind.

Every reader, as he reads, is actually the reader of himself. The writer's work is only a kind of optical instrument he provides the reader so he can discern what he might never have seen in himself without this book. The reader's recognition in himself of what the book says is the proof of the book's truth.

The charms of the passing woman are generally in direct ratio to the swiftness of our passage.

The soldier is convinced that a certain indefinitely extendable time period is accorded him before he is killed, the burglar before he is caught, men in general, before they must die. That is the amulet which preserves individuals — and sometimes populations — not from danger, but from the fear of danger, in reality from the belief in danger, which in some cases allows them to brave it without being brave. Such a confidence, just as unfounded, supports the lover who counts on a reconciliation, a letter.

The real voyage of discovery consists not in seeking new landscapes, but in having new eyes.

After a certain age our memories are so intertwined with one another that what we are thinking of, the book we are reading, scarcely matters any more. We have put something of ourselves everywhere, everything is fertile, everything is dangerous, and we can make discoveries no less precious than in Pascal's Pensées in an advertisement for soap.