When I am not too sad to listen, music is my consolation.

Often it is just lack of imagination that keeps a man from suffering very much.

Perhaps it is not-being that is the true state, and all our dream of life is inexistent; but, if so, we feel that these phrases of music, these conceptions which exist in relation to our dream, must be nothing either. We shall perish, but we have as hostages these divine captives who will follow and share our fate. And death in their company is somehow less bitter, less inglorious, perhaps even less probable.

There is no doubt that a person's charms are less frequently a cause of love than a remark such as: 'No, this evening I shan't be free'.

The heart does not lie.

And so it is with our own past. It is a labour in vain to attempt to recapture it: all the efforts of our intellect must prove futile. The past is hidden somewhere outside the realm, beyond the reach of intellect, in some material object (in the sensation which that material object will give us) of which we have no inkling. And it depends on chance whether or not we come upon this object before we ourselves must die.

The soldier is convinced that a certain indefinitely extendable time period is accorded him before he is killed, the burglar before he is caught, men in general, before they must die. That is the amulet which preserves individuals — and sometimes populations — not from danger, but from the fear of danger, in reality from the belief in danger, which in some cases allows them to brave it without being brave. Such a confidence, just as unfounded, supports the lover who counts on a reconciliation, a letter.