Until I saw Chardin's painting, I never realized how much beauty lay around me in my parents' house, in the half-cleared table, in the corner of a tablecloth left awry, in the knife beside the empty oyster shell.

A little tap at the window, as though some missile had struck it, followed by a plentiful, falling sound, as light, though, as if a shower of sand were being sprinkled from a window overhead; then the fall spread, took on an order, a rhythm, became liquid, loud, drumming, musical, innumerable, universal. It was the rain

And wasn't my mind also like another crib in the depths of which I felt I remained ensconced, even in order to watch what was happening outside? When I saw an external object, my awareness that I was seeing it would remain between me and it, lining it with a thin spiritual border that prevented me from ever directly touching its substance; it would volatize in some way before I could make contact with it, just as an incandescent body brought near a wet object never touches its moisture because it is always preceded by a zone of evaporation.

As long as men are free to ask what they must, free to say what they think, free to think what they will, freedom can never be lost and science can never regress.

Less disappointing than life, great works of art do not begin by giving us all their best.

People who are not in love fail to understand how an intelligent man can suffer because of a very ordinary woman. This is like being surprised that anyone should be stricken with cholera because of a creature so insignificant as the common bacillus.

It is not only by dint of lying to others, but also of lying to ourselves, that we cease to notice that we are lying.