We feel in one world, we think and name in another. Between the two we can set up a system of references, but we cannot fill in the gap.

Our vanity, our passions, our spirit of imitation, our abstract intelligence, our habits have long been at work, and it is the task of art to undo this work of theirs, making us travel back in the direction from which we have come to the depths where what has really existed lies unknown within us.

... But all the feelings that evoke in us the joy or the misfortune of a real person are only produced in us through the intermediary of an image of that joy or that misfortune; the ingeniousness of the first novelist was in understanding that, in the apparatus of our emotions, since the image is the only essential element, the simplification which consists of purely and simply suppressing the factual characters is a definitive improvement.

These dreams reminded me that, since I wished some day to become a writer, it was high time to decide what sort of books I was going to write. But as soon as I asked myself the question, and tried to discover some subject to which I could impart a philosophical significance of infinite value, my mind would stop like a clock, my consciousness would be faced with a blank, I would feel either that I was wholly devoid of talent or perhaps that some malady of the brain was hindering its development.

It is up to my spirit to find the truth. But how? Grave uncertainty, each time the spirit feels beyond its own comprehension; whenit, the explorer, is altogether to obscure land that it must search and where all its baggage is of no use. To search? That is not all: to create.

The sight of the little madeleine had recalled nothing to my mind before I tasted it...

We love only what we do not wholly possess.