Books are frozen voices, in the same way that musical scores are frozen music. The score is a way of transmitting the music to someone who can play it, releasing it into the air where it can once more be heard. And the black alphabet marks on the page represent words that were once spoken, if only in the writer's head. They lie there inert until a reader comes along and transforms the letters into living sounds. The reader is the musician of the book: each reader may read the same text, just as each violinist plays the same piece, but each interpretation is different.

The future of the codex book, with pages and so forth? A platform for transmitting narratives. There are others.

At the very least we want a witness. We can't stand the idea of our own voices falling silent finally, like a radio running down.

An eye for an eye only leads to more blindness.

I meet a lot of readers who first encountered my work in school. And I can only assume there is another group who would run away very fast if they saw me coming, for exactly the same reason. Reading is individual, and not all tastes are alike.

To live in prison is to live without mirrors. To live without mirrors is to live without the self. She is living selflessly, she finds a hole in the stone wall and on the other side of the wall, a voice. The voice comes through darkness and has no face. This voice becomes her mirror.

The interesting thing about the religious component, for me, is that Jesus hardly mentions sex at all. He's pretty interested in the poor, he's pretty interested in selling your worldly goods and storing up riches in heaven. However, religious fundamentalists have made it all about sex, and that's like saying, "Look at the sex and we're just not going to talk about what you may be doing in a financial way that is sinful."