Once I was in Texas, where they had this thing called Ralph the Swimming Pig. You went into a theater and you were looking through a great big window at people dressed as mermaids swimming around with oxygen tanks. One of the mermaids had a bottle of milk, and a small Ralph the Swimming Pig dove in and swam over. Naturally, afterward, I said in the cafeteria, "What happens to the Ralphs when they get bigger? Would you serve Ralphs who have retired?" "Oh no! We would never do such a thing."

There's an epigram tacked to my office bulletin board, pinched from a magazine -- "Wanting to meet an author because you like his work is like wanting to meet a duck because you like pâté.

The best way of keeping a secret is to pretend there isn't one.

poetry is where the language is renewed.

Nothing is more difficult than to understand the dead, I've found; but nothing is more dangerous than to ignore them.

I don't think of poetry as a 'rational' activity but as an aural one. My poems usually begin with words or phrases which appeal more because of their sound than their meaning, and the movement and phrasing of a poem are very important to me.

It was very interesting to me that when Louisiana was destroyed in that flood the fundamentalists were very quick to say, it's the punishment of God on a sinful city. Now that the oil industry has been so hard hit in Galveston, are they up on their pulpits saying, God is punishing the oil industry? No, no, no!