Even in the tragedies, Shakespeare always put in parts for the comic actors because his audience was mixed. He puts in people who talk like aristocrats. He puts in idiots and fools. He puts in certain middle-range characters. And when you go to the Globe, you realize how that all works. The people who paid more sat in seats around the edge. Everybody else paid a penny. They put it into a tin box - that's why we call it the "box office." They stood in the pit, but they were very close, so when Hamlet was doing his soliloquy, it was addressed to you, the audience - right there.

I was unfair to him, of course, but where would I have been without unfairness? In thrall, in harness. Young women need unfairness, it's one of their few defenses. They need their callousness, they need their ignorance. They walk in the dark, along the edges of high cliffs, humming to themselves, thinking themselves invulnerable.

As soon as you have a language that has a past tense and a future tense you're going to say, 'Where did we come from, what happens next?' The ability to remember the past helps us plan the future.

Writing is very improvisational. It's like trying to fix a broken sewing machine with safety pins and rubber bands. A lot of tinkering.

I felt white, drained of blood, cared for, purified. Peaceful.

Most mothers worry when their daughters reach adolescence but I was the opposite. I relaxed, I sighed with relief. Little girls are cute and small only to adults. To one another they are not cute. They are life sized.

Is anything wrong, dear? the old joke went. No, why? You moved. Just don't move.