The answers you get from literature depend on the questions you pose.

I believe in the resistance as I believe there can be no light without shadow; or rather, no shadow unless there is also light.

But we still find the world astounding, we can't get enough of it; even as it shrivels, even as its many lights flicker and are extinguished (the tigers, the leopard frogs, the plunging dolphin flukes), flicker and are extinguished, by us, by us, we gaze and gaze. Where do you draw the line, between love and greed? We never did know, we always wanted more. We want to take it all in, for one last time, we want to eat the world with our eyes.

Well. Then we had the irises, rising beautiful and cool on their tall stalks, like blown glass, like pastel water momentarily frozen in a splash, light blue, light mauve, and the darker ones, velvet and purple, black cat's ears in the sun, indigo shadow, and the bleeding hearts, so female in shape it was a surprise they'd not long since been rooted out. There is something subversive about this garden of Serena's, a sense of buried things bursting upwards, wordlessly, into the light, as if to point, to say: Whatever is silenced will clamor to be heard, though silently.

Where do the words go when we have said them?

When you're unhinged, things make their way out of you that should be kept inside, and other things get in that ought to be shut out. The locks lose their powers. The guards go to sleep. The passwords fail.

Even an obvious fabrication is some comfort when you have few others.