Canada, at the moment, is going through a Lord of the Rings moment. Having been a lowly Hobbit with furry feet and fun parties, with fireworks and beer, it has now been handed the Ring of Power: a large supply of fossil fuel, in the form of oil/tar sand and coal. Will it shrivel into an evil RingWraith? Will it become an addicted Golum? Will it refuse the Ring, like Galadriel, fearful of what So Much Power (in both senses of the word) will do to its inner being? Will it try to deal with the Ring responsibly, like Gandalf? Will it side with the Ents?

There is something powerful in the whispering of obscenities, about those in power. There's something delightful about it, something naughty, secretive, forbidden, thrilling. It's like a spell, of sorts. It deflates them, reduces them to the common denominator where they can be dealt.

Walking was not fast enough, so we ran. Running was not fast enough, so we galloped. Galloping was not fast enough, so we sailed. Sailing was not fast enough, so we rolled merrily along on long metal tracks. Long metal tracks were not fast enough, so we drove. Driving was not fast enough, so we flew. Flying isn't fast enough for us. We want to get there faster. Get where? Wherever we are not. But a human soul can only go as fast as a man can walk, they used to say. In that case, where are all the souls? Left behind.

There's a difference between describing and evoking something. You can describe something and be quite clinical about it. To evoke it, you call it up in the reader. That's what writers do when they're good.

It doesn't really matter what "genre" your book is. What matters is that it's a good book of its kind. Whatever that kind may be.

I think calling it climate change is rather limiting. I would rather call it the everything change.

I did ... learn an important distinction in graduate school: a speculation about who had syphilis when is gossip if it's about your friends, a plot element if it's about a character in a novel, and scholarship if it's about John Keats.