I feel that the task of criticizing my poetry is best left to others (i.e. critics) and would much rather have it take place after I am dead. If at all.

There's more private security in the United States than there are publicly funded forces, like police. What you don't want is a meld of government and commerce - you really want to keep those two things separate - because once you have that meld, you've got megacorruption, and you have no third force to whom you can say this stuff is poisoning our kids.

I tend to feel if people say they're going to do something, they will, if given the chance.

Like the trains, she's never on time and always departing.

If I am good enough and quiet enough, perhaps after all they will let me go; but it’s not easy being quiet and good, it’s like hanging on to the edge of a bridge when you’ve already fallen over; you don’t seem to be moving, just dangling there, and yet it is taking all your strength.

I've never bought into any sort of hard and fast, this-box/that-box characterization. People are individuals. Yes, they may be expected to be a particular way. But that doesn't mean they're going to be that way.

All writers must go from now to once a upon a time; all must go from here to there; all must descend to where the stories are kept; all must take care not to be captured and held immobile by the past.