Plague has hung over human history. The biggest human extinction was after 1492 in North and South America when the mortality rate was 95 per cent, which is enormous. But again, I'm actually giving you grounds for optimism: There were enough to continue. The five per cent who made it through are what you need to survive a bottleneck, which we have been through before.

I spent much of my childhood in northern Quebec, and often there was no radio, no television - there wasn't a lot to entertain us. When it rained, I stayed inside reading, writing, drawing.

Every aspect of human technology has a dark side, including the bow and arrow.

He considers me also a little fragile because artistic. I need to be cared for, like a potted plant.

Nothing changes instantaneously: in a gradually heating bathtub you'd be boiled to death before you knew it.

The only way you can write the truth is to assume that what you set down will never be read. Not by any other person, and not even by yourself at some later date. Otherwise you begin excusing yourself. You must see the writing as emerging like a long scroll of ink from the index finger of your right hand; you must see your left hand erasing it.

What I need is perspective. The illusion of depth, created by a frame, the arrangement of shapes on a flat surface. Perspective is necessary. Otherwise there are only two dimensions. Otherwise you live with your face squashed up against a wall, everything a huge foreground, of details, close-ups, hairs, the weave of the bedsheet, the molecules of the face. Your own skin like a map, a diagram of futility, criscrossed with tiny roads that lead nowhere. Otherwise you live in the moment. Which is not where I want to be.