I feel like this song [Yello, "Oh Yeah"] was probably done in a couple of minutes in a studio. There was probably no thought behind it; they were just playing with some samples and threw it together. I feel like there's no dream behind the song. Usually there's a dream or some kind of passion attached to a song. This song feels very empty. It made a lot of money for the songwriters but at the expense of culture.

If we have the opportunity to be generous with our hearts, ourselves, we have no idea of the depth and breadth of love's reach.

I'm very much a stand-up comedian in my heart. That's really what I do. Now I'm trying to incorporate all of the different elements of my work as a performer, and use it as a stand-up comedian.

People have a lot of shame and suffering around it and I felt that the best thing I could do was to share my experiences, which I have been doing for a long time, and let people know that of all the things that I've endured.

Like the Birth Of Venus, the song [Yello "oh, Yeah"] denotes the birth of the bro. The song just reminds me of bros looking out over lowered Ray-Bans. It birthed a negative sexual revolution. I was going to a lot of bondage clubs at the time and they did play this song. The song I associate more is that horrible Enigma song with the Gregorian chant. There's something good buried in that song and I might not hate it as much if I hadn't been a sex worker.

Political correctness sometimes does great work when it helps equalize the playing field when it comes to language, but it does a great disservice when it tries to silence a person of color.

I'm lucky that I have good genetics. Like you said, it just gets better as I get older.